25 Worst Best Picture Nominees in Oscar History

Media & Entertainment
By Aria Moore

While the Oscars are known for celebrating the best in film, not every Best Picture nominee leaves audiences cheering.

This list dives into the 25 most surprising Best Picture nods that left critics and moviegoers scratching their heads.

From overly ambitious epics to musicals that missed the mark, these films remind us that even the Academy can have an off-day.

1. Ivanhoe (1952)

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“Ivanhoe,” a 1952 film, attempted to bring the medieval world to life but fell short of the epic adventure it promised. The film’s pacing was often criticized, lacking the excitement expected from such a storyline.

Despite its grand sets and costumes, the narrative felt disjointed, leaving audiences disconnected from the characters. While the intention was to create an engaging historical drama, “Ivanhoe” ended up being more of a visual spectacle than a compelling story.

The performances, though earnest, couldn’t rescue the script’s shortcomings. It’s a reminder that sometimes, grandeur can’t replace substance.

2. The Great Ziegfeld (1936)

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“The Great Ziegfeld,” a 1936 musical extravaganza, aimed to capture the glamor of Broadway but struggled with its overextended runtime.

The film’s lavish musical numbers were impressive, yet the plot seemed to drift endlessly, testing viewers’ patience.

While it showcased the glitz of the Ziegfeld Follies, the storytelling took a backseat to the spectacle, making it feel more like a series of sketches than a cohesive film.

Despite its technical achievements, the film’s narrative meandered, leaving audiences yearning for more substance beneath the sparkle.

3. Around the World in 80 Days (1956)

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“Around the World in 80 Days,” a 1956 adaptation, was ambitious in its scope but faltered in its execution. The film’s sprawling narrative often lost focus, leaving viewers adrift amidst the scenic backdrops and star-studded cameos.

While visually captivating, its lack of depth in character development made it feel more like a travel log than a gripping adventure.

The film’s attempt to capture the whimsy of Jules Verne’s novel was overshadowed by its cumbersome runtime and narrative inconsistencies, proving that bigger is not always better.

4. Cleopatra (1963)

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“Cleopatra,” a 1963 epic, was notorious for its extravagant production, overshadowing its storytelling. The film’s grandiose sets and costumes couldn’t mask the ponderous pacing and lack of narrative cohesion.

Despite the star power of Elizabeth Taylor, the film’s drawn-out length left critics and audiences weary. Intended to be a historical masterpiece, “Cleopatra” struggled under the weight of its ambition, highlighting the pitfalls of excess in filmmaking.

The lavish visuals, while stunning, ultimately couldn’t save the film from its overindulgence.

5. Doctor Dolittle (1967)

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“Doctor Dolittle,” a 1967 musical, aimed to charm with its fantastical premise but stumbled with its unwieldy execution. The film’s musical numbers, while lively, couldn’t compensate for the lack of a compelling plot.

The whimsical story of a man who talks to animals was overshadowed by an overly long runtime and uneven pacing.

Despite its imaginative concept, the film’s charm was lost in translation, leaving it feeling more like a drawn-out spectacle than an enchanting tale. It’s a reminder that creativity needs direction to truly shine.

6. Airport (1970)

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“Airport,” a 1970 disaster film, was known for its ensemble cast but lacked the emotional depth to elevate its tense narrative. The film’s melodramatic plotlines often felt contrived, with characters that were more archetypal than relatable.

Despite being a precursor to the disaster film genre, it leaned heavily on spectacle rather than substance.

The promise of high-flying drama was undercut by predictable twists and superficial character arcs, leaving audiences entertained but not engaged. It’s a classic example of style overshadowing storytelling.

7. The Towering Inferno (1974)

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“The Towering Inferno,” a 1974 disaster epic, thrilled with its fiery visuals but offered little in terms of character development. The film’s spectacle, while impressive, often overshadowed the simplistic plot and dialogue.

The star-studded cast couldn’t elevate the formulaic narrative, leaving audiences with a predictable experience. While it succeeded in creating tension, the film’s emotional impact was minimal, focusing more on visual effects than storytelling.

Despite being an adrenaline-pumping ride, it lacked the depth needed for lasting resonance.

8. Rocky IV (1985)

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“Rocky IV,” a 1985 sequel, is often criticized for prioritizing spectacle over substance. The film’s Cold War themes were overshadowed by its montage-heavy narrative and lack of character development.

While the boxing sequences were thrilling, the storyline felt formulaic, relying on patriotism rather than a nuanced plot. The film’s attempt to blend sports drama with political commentary fell flat, leaving viewers with a predictable underdog story.

Although entertaining, “Rocky IV” serves as a reminder that flashy sequences can’t replace depth in storytelling.

9. The Jazz Singer (1980)

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“The Jazz Singer,” a 1980 remake, aimed to modernize the classic but faltered with its uneven execution. The film struggled to balance its musical and dramatic elements, leading to a disjointed narrative.

Despite memorable performances, the film’s plot felt predictable, lacking the emotional resonance of its predecessor. While it aimed to capture the struggles of identity and tradition, the storytelling was often overshadowed by clichéd dialogue.

The film serves as a reminder that remakes need a fresh perspective to resonate with contemporary audiences.

10. Oliver! (1968)

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Oliver! is a musical adaptation of Charles Dickens’ novel ‘Oliver Twist’. While its songs are catchy and the choreography lively, some argue that it lacks the depth and sincerity expected of a Best Picture nominee.

The film’s lavish production often overshadows the storytelling, leading to a disconnect with audiences seeking emotional resonance. Despite its shortcomings, Oliver! charmed its way to a win, leaving many puzzled.

If you enjoy musicals with grand set designs, this might still be a whimsical watch. Yet, compared to other nominees that year, its artistic merit is often debated.

11. The Greatest Show on Earth (1952)

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“The Greatest Show on Earth,” a 1952 circus drama, dazzled with its colorful spectacle but faltered with its convoluted storyline. The film’s grand circus acts were captivating, yet the plot meandered, lacking focus and emotional depth.

Despite its ambitious attempt to blend romance, drama, and spectacle, the narrative often felt disjointed, leaving audiences detached from the characters.

While it succeeded in creating a vibrant circus atmosphere, it failed to deliver a compelling story, proving that visual splendor alone can’t sustain a film’s core.

12. Heaven’s Gate (1980)

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“Heaven’s Gate,” a 1980 Western, became infamous for its troubled production and lackluster reception. The film’s ambitious scope was undermined by its excessive runtime and muddled narrative.

Despite its stunning cinematography, the storyline often felt aimless, leaving audiences disengaged. The film’s attempt to explore themes of immigration and identity was overshadowed by its pacing issues and convoluted plot.

“Heaven’s Gate” serves as a cautionary tale about the dangers of unchecked ambition in filmmaking, highlighting the need for a clear vision and concise storytelling.

13. The Deer Hunter (1978)

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“The Deer Hunter,” a 1978 war drama, faced criticism for its portrayal of sensitive themes and lengthy runtime. The film’s depiction of war’s impact on American soldiers was powerful but often overshadowed by its pacing issues.

While it received acclaim for its performances, the narrative sometimes felt disjointed, struggling to balance action with emotional depth. The film’s ambition to explore complex themes was commendable, yet its execution left some viewers disengaged.

It’s a reminder that tackling profound subjects requires both sensitivity and precision in storytelling.

14. Chocolat (2000)

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“Chocolat,” a 2000 drama, attempted to blend romance and culture but often felt overly sweet and predictable. The film’s charming setting and performances couldn’t mask its formulaic plot and lack of depth.

While visually appealing, the storyline struggled to resonate, relying on clichéd character arcs instead of genuine emotional engagement.

Despite its heartwarming moments, “Chocolat” was criticized for its superficial treatment of complex themes like tradition and individuality.

The film serves as a reminder that enchanting settings need compelling narratives to truly captivate.

15. The Blind Side (2009)

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“The Blind Side,” a 2009 sports drama, was praised for its inspirational true story but faced criticism for its simplistic portrayal of complex issues. The film’s feel-good narrative often glossed over deeper themes, leaving some viewers wanting more.

While Sandra Bullock’s performance was widely acclaimed, the film’s depiction of race and privilege felt surface-level.

Despite its heartwarming message, “The Blind Side” struggled to address the nuances of its subject matter, highlighting the challenge of balancing sentimentality with substance in storytelling.

16. Crash (2004)

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“Crash,” a 2004 drama, aimed to tackle racial tensions but faced criticism for its heavy-handed approach. The film’s intertwining narratives often felt contrived, with characters serving as mere symbols rather than fully developed individuals.

Despite its ambition to spark conversation, the film’s execution was divisive, leaving some audiences feeling manipulated rather than moved.

While it succeeded in generating discussion, “Crash” struggled to provide nuanced insights, proving that tackling complex issues requires more than just good intentions. It’s a reminder that depth and authenticity are key in impactful storytelling.

17. Extremely Loud & Incredibly Close (2011)

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“Extremely Loud & Incredibly Close,” a 2011 drama, attempted to explore grief through a child’s eyes but struggled with its sentimental execution. The film’s emotional weight was often overshadowed by its manipulative narrative techniques.

While the performances were heartfelt, the plot sometimes felt contrived, leaving audiences questioning its authenticity. The film’s ambition to tackle themes of loss and healing was commendable, yet it often resorted to clichés, diluting its impact.

It’s a reminder that sensitivity and subtlety are crucial when addressing profound human experiences.

18. The Reader (2008)

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“The Reader,” a 2008 drama, faced mixed reactions for its portrayal of complex moral and historical themes. The film’s narrative often felt heavy-handed, struggling to balance emotional depth with intellectual rigor.

While the performances were strong, the storyline sometimes meandered, leaving audiences disconnected from the characters’ journeys. Despite its ambition to provoke thought, “The Reader” was criticized for its uneven pacing and lack of narrative clarity.

It’s a reminder that tackling intricate subjects requires both sensitivity and precision, ensuring that the story resonates on multiple levels.

19. Les Misérables (2012)

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“Les Misérables,” a 2012 musical adaptation, captivated with its performances but faced criticism for its relentless intensity. The film’s operatic approach often overshadowed the emotional nuances of its characters.

While visually stunning, the narrative sometimes felt overbearing, leaving audiences overwhelmed rather than moved.

Despite its ambition to bring Victor Hugo’s epic to life, “Les Misérables” struggled with pacing, proving that even grand tales need moments of quiet reflection. It’s a reminder that balance is key in storytelling, allowing both spectacle and emotion to shine.

20. War Horse (2011)

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“War Horse,” a 2011 war drama, aimed to tug at heartstrings but often felt overly sentimental. The film’s sweeping visuals were impressive, yet the narrative sometimes relied too heavily on melodrama.

While it succeeded in showcasing the bond between a boy and his horse, the film’s portrayal of wartime experiences lacked depth.

Despite its emotional moments, “War Horse” was criticized for its simplistic storytelling, highlighting the challenge of balancing sentimentality with authenticity. It’s a reminder that genuine emotion requires subtlety and nuance.

21. The Cider House Rules (1999)

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“The Cider House Rules,” a 1999 drama, sought to tackle complex themes but often felt too polished and safe. The film’s picturesque setting and performances couldn’t fully mask its formulaic narrative.

While it addressed important social issues, the storytelling sometimes lacked the rawness needed to resonate deeply.

Despite its accolades, “The Cider House Rules” struggled with depth, leaving some viewers wanting more substance beneath its glossy exterior.

It’s a reminder that tackling profound themes requires courage and authenticity, ensuring that the narrative truly connects.

22. The Green Mile (1999)

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“The Green Mile,” a 1999 prison drama, aimed to blend fantasy with reality but faced criticism for its length and pacing. The film’s supernatural elements often overshadowed its exploration of human nature.

While praised for its performances, the narrative sometimes felt drawn out, diluting its emotional impact. Despite its ambition to tell a moving story, “The Green Mile” struggled with balance, proving that even fantastical tales need grounded storytelling.

It’s a reminder that maintaining focus and clarity is crucial for capturing audiences’ hearts and minds.

23. The Pianist (2002)

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“The Pianist,” a 2002 war drama, was lauded for its realism but faced criticism for its emotionally distant narrative. The film’s stark depiction of war’s horrors was powerful, yet the emotional connection with its characters felt muted.

While its visual authenticity was commendable, the storytelling sometimes lacked warmth, leaving audiences admiring rather than feeling.

Despite its achievements, “The Pianist” serves as a reminder that even stories of survival need an emotional core to truly resonate. It’s a testament to the importance of balancing realism with empathy in filmmaking.

24. The Thin Red Line (1998)

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“The Thin Red Line,” a 1998 war drama, aimed to explore the philosophical aspects of conflict but often felt overly abstract. The film’s poetic visuals couldn’t fully compensate for its lack of narrative clarity.

While it sought to provoke thought, the film’s pacing issues and fragmented storytelling left some viewers disengaged.

Despite its ambition, “The Thin Red Line” struggled to find a balance between introspection and action, highlighting the need for coherence in complex narratives.

It’s a reminder that artistry must align with accessibility to make a lasting impact.

25. Gangs of New York (2002)

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“Gangs of New York,” a 2002 historical drama, was praised for its ambition but criticized for its execution. The film’s sprawling narrative and intense performances couldn’t fully mask its uneven pacing.

While it aimed to depict the gritty reality of 19th-century New York, the storytelling often felt disjointed, leaving audiences distanced from the characters’ struggles.

Despite its vivid portrayal of history, “Gangs of New York” serves as a reminder that even epic tales need a cohesive narrative to truly engage. It’s a testament to the power of focused storytelling in bringing history to life.